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Natalya Pavlova Soprano

Natalya Pavlova è una stella nascente del Teatro Mariinsky. Ha lavorato sotto la guida di musicisti come Valery Gergiev, Esa-Pekka Salonen, Vladimir Spivakov, Teodor Currentzis, Gennady Rozhdestvensky, Fuat Mansurov, Ennio Morricone, Ion Marin, Evan Rogister e Yuri Bashmet.
Il suo repertorio comprende i ruoli di Violetta ne La Traviata, Mimi ne La Boheme, Marguerite in Faust, Michaela in Carmen, Rusalka, Tatiana in Eugene Onegin, Tamara in Demon, Marfa in The Tsra’s Bride, Donna Anna in Don Giovanni, Iolanta e Nastasia Filippovna in Idiot .
Natalya Pavlova si esibisce regolarmente in versioni concertanti di opere sovietiche, tra cui The Gadfly (Gemma) di Spadavekkia, Dawns here are quite (Lisa Brichkina) di Molchanov, Into the Storm (Natalia) di Khrennikov, Not only Love (Natasha) di Shchedrin e Orango (Suzanne) di Shostakovich. Il resto del repertorio include i ruoli principali delle seguenti opere: Letter from an Unknown Woman (Unknown Woman) di Spadavecchia, Anna Akhmatova (Anna) di L. Klinchev and The Diary of Anne Frank (Anna) di G. Frid.
Natalya Pavlova è stata in tournée negli Stati Uniti, Corea del Nord, Polonia, Germania, Italia, Inghilterra, Spagna e Francia. Nel 2010 ha registrato l’album “The Front Roads Songs” (arrangiamento di Dmitry Shostakovich) pubblicato dalla Toccata Classics.
Nell’aprile 2016 Natalia ha partecipato come Tatiana in Eugene Onegin al Teatro nazionale bulgaro di Opera e Balletto. Nel maggio 2016 è diventata membro del progetto concertistico di Esa-Pekka Salonen Stravinsky: Myths & Rituals esibendosi in Mavra di Stravinsky alla Royal Festival Hall di Londra. Nel maggio 2016 si è esibita con Anna Netrebko, Ildar Abdrazakov e altri solisti dell’opera mondiale al concerto festivo “Classics on Palace Square” a San Pietroburgo. Nel novembre 2016, ha interpretato di Schostakowitsch From Jewish Folk Poetry e nel novembre 2017 il Requiem di Dvořák sotto la direzione di Ioan Marin al Laeiszhalle di Amburgo.
Nel maggio 2017 ha debuttato al Festival Spoleto USA come Tatyana in una nuova produzione di Eugene Onegin diretta da Evan Rogister per la regia di Chen Shi-Zheng. Nel novembre 2017 ha debuttato alla Elbphilharmonie di Amburgo come Anna nell’opera omonima di G. Frid. Nel gennaio 2018 ha fatto il suo debutto come Liu in Turandot al Teatro Regio di Torino diretta da Gianandrea Noseda.
Si è diplomata con il massimo dei voti al Kazan Music College e al Conservatorio statale di Mosca come direttore di coro. È stata premiata al concorso April Spring International Competition nel 2003 e nel 2005 e al Concorso internazionale Competition Opera without Borders nel 2015.

Ottobre

Interpreterà Liù in Turandot opera di Puccini all’Opera Hong Kong Cultural Centre. Dirige il Maestro Olmi, Regia di Capasso.

15, 18, 20, 22 dicembre

Sarà Violetta ne La Traviata di Verdi presso il Teatro Regio di Torino. Dirige Renzetti, regia di Brockhaus.
2018

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Natalia Pavlova is a rising star of the Mariinsky Theatre. She has worked under the guidance of such musicians as Valery Gergiev, Esa-Pekka Salonen, Vladimir Spivakov, Teodor Currentzis, Gennady Rozhdestvensky, Fuat Mansurov, Ennio Morricone, Ion Marin, Evan Rogister and Yuri Bashmet.
Her repertoire includes the roles of Violetta La Traviata, Mimi La Boheme, Marguerite Faust, Michaela Carmen, title-role Rusalka, Tatiana Eugene Onegin, Tamara Demon, Marfa The Tsra’s Bride, Donna Anna Don Giovanni, title-role Iolanta and Nastasia Filippovna Idiot.
Ms. Pavlova performs regularly in a series of concerts and half-concert versions of Soviet operas, including The Gadfly (Gemma) by Spadavekkia, Dawns here are quite (Lisa Brichkina) by Molchanov, Into the Storm (Natalia) by Khrennikov, Not only Love (Natasha) by Shchedrin and Orango (Suzanne) by Shostakovich. Other repertoire includes the title roles in the following mono-operas: Letter from an Unknown Woman (Unknown Woman) by Spadavecchia, Anna Akhmatova (Anna) by L. Klinchev and The Diary of Anne Frank (Anna) by G. Frid.
Ms. Pavlova has toured performing in the USA, North Korea, Poland, Germany, Italy, England, Spain and France. In 2010 she recorded the album “The Front Roads Songs” (Dmitry Shostakovich’s arrangement) released by the Toccata Classics.
In April 2016 Natalia participated as Tatiana Eugene Onegin at the Bulgarian National Opera and Ballet Theatre. In May 2016 she became a member of the concert project of Esa-Pekka Salonen Stravinsky: Myths & Rituals performing Mavra by Stravinsky at the London’s Royal Festival Hall. In May 2016 she performed with Anna Netrebko, Ildar Abdrazakov and other world opera soloists at the festive concert “Classics on Palace Square” in St. Petersburg. In November 2016 Ms. Pavlova has performed D. Schostakowitsch «From Jewish Folk Poetry» and in November 2017 Dvořák’s Requiem under the directions of Ioan Marin at the Laeiszhalle in Hamburg.
In May 2017 she made an outstanding debut at the Spoleto Festival USA as Tatyana in a new production of Eugene Onegin directed by Chen Shi-Zheng and conducted by Evan Rogister. In November 2017 Natalia debuted at the Elbphilharmonie in Hamburg as Anna in the mono opera by G. Frid. In January 2018 she will make a debut as Liu in Turandot at the Teatro Regio in Torino conducted by Gianandrea Noseda.
Ms. Pavlova graduated with honours from the Kazan Music College and the Moscow state Conservatory as a choral conductor. She is a prize-winner at the April Spring International Competition in 2003 and in 2005 and the II International Young Opera Singers’ Competition Opera without Borders in 2015.